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| Diamond D, AG & Showbiz @ DJ Mark the 45 King's Studio with a View NYC 1992 |
CLASSIC HIP HOP MUSIC AND CULTURE
Showing posts with label CLASSIC PICTURES. Show all posts
Showing posts with label CLASSIC PICTURES. Show all posts
Thursday, December 13, 2012
CLASSIC FLICKS - DIAMOND D, AG & SHOWBIZ 1992
Wednesday, December 12, 2012
Monday, December 10, 2012
Sunday, December 2, 2012
Sunday, November 18, 2012
Friday, August 17, 2012
Wednesday, July 18, 2012
Wednesday, June 20, 2012
Thursday, June 14, 2012
Tuesday, May 29, 2012
Wednesday, May 23, 2012
Tuesday, May 22, 2012
CLASSIC FLICKS : DIAMOND D & DJ MARK THE 45 KING
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| Photo credit: Diamond D |
" Me and one of my my mentors...Mark The 45 King @ his studio, circa1992......this may have been a session for "check one two"" Diamond D
Monday, May 21, 2012
CLASSIC FLICKS: NOTORIOUS BIG & VINNIE (NAUGHTY BY NATURE)
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| Photo credit: Vinnie of Naughty By Nature |
:"This
was my first time hangin' with Biggie at Howard's Homecoming. We were
both kickin' it with Ron Gee, we took a pic and BIG gave me his
numbers... Notice the Beeper number!! Remember Beepers? I was gonna keep
this to myself but I thought I'd share it with the rest of Hip Hop!" Vinny of Naughty By Natured
Monday, May 14, 2012
Tuesday, April 10, 2012
Monday, April 9, 2012
Thursday, April 5, 2012
CLASSIC FLICKS: RAKIM, BIG DADDY KANE & KRS ONE
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| Photo Credit: Laze Elliot |
3 of the BEST TO EVER DO IT..........
Friday, March 30, 2012
CLASSIC FLICKS: KING SUN, DJ KING SHAMEEK & RUSSEL SIMMONS
King Sun, DJ King Shameek & Russell Simmons @ "On The Club Tip" video shoot 5/6/89
Thursday, March 29, 2012
CLASSIC FLICKS: MARLEY MARL & TREACH
Classic... Dj Marley Marl on the boards w/ Treach (Naughty by Nature) in the booth inside 211 Media Group studio. Shouts to DoitAll (Lords of the Underground)
Monday, March 19, 2012
CLASSIC FLICKS - JOE CONZO'S CLASSIC HIP HOP PICS
#DOTHEKNOWLEDGE
In an article published on October 4, 2005, The New York Times proclaimed photographer Joe Conzo Jr. as “The Man Who Took Hip-Hop's Baby Pictures.” The scope and magnitude of his visceral camera images had finally been acknowledged by American mainstream media. Born and raised in the Bronx, “Joey” acquired a flair for photography at the age of nine while attending the Agnes Russell School on the campus of
Columbia University; later, advancing those skills at the School of Visual Arts in New York. He grew up at the heels of his grandmother - a dynamic leader and passionate activist within the minority community of the South Bronx - the late Dr. Evelina Antonetty. His father, Joe Conzo Sr., was long-time confidant and
historian for the late “King of Latin Music” Tito Puente. Exposure to these “politically and culturally charged” worlds had a profound effect on how he viewed his environment through the lens of a camera.
However, Joe Conzo Jr. really came of age as a young man and as a photographer at a turbulent period in New York City’s urban decay. He was part of a generation that refused to be silenced by the choke of flame-engulfed South Bronx tenements and a disparaging educational system. Their defiant voices gave rise to a cultural movement known as Hip Hop. And at its early stage, Joey passionately embraced the role of photographer within the phenomenon.
Most of those images from the 70’s and 80’s caught on b/w film by Joey, have traveled in one form or another to parts of Asia, Europe, and the Americas. They are regarded by genre experts and academians as an important visual record of key pioneers to the modern Hip Hop movement, and integral to
any serious discourse on the subject. His first book “Born In The Bronx: A Visual Record of the Early Days of Hip Hop” (2007), a collaborative effort with noted New York musicologist and curator Johan Kugelberg, has received world-wide acclaim. In 2008, a collection of his early Hip Hop photographs
became part of a permanent archive housed at Cornell University. The images are located right next to its copy of The Gettysburg Address document. Like most modern photographers, Joey has undergone the transition to digital. His stills continue to reflect the four main tenets of Hip Hop culture
which are Mc'ing (often called rapping), DJ’ing, graffiti writing, and breakdancing. He has traveled throughout the USA on-assignment, as a lecturer, and as an exhibitor. He has crossed the oceans to England, Japan,
Korea and other parts of the world where the global impact of Hip Hop music, culture, and dancing has become undeniable. His images have appeared on HBO and VH1, in the motion picture film CB4 (starring Chris Rock), in publications such as VIBE, Complex, Hip-Hop Connection (Europe), Urban Hitz
(Australia), Esquire and Wax Poetics. His works also appear in the books “Hip Hop Immortals” (2003), “Yes, Yes, Y’all” (2002), and have been displayed at the prestigious Schomburg Center for Research in Black Culture in New York. Currently, Joey has a second book of photographs in progress, and a third in
the planning stage. In mid-January, he will be travelling to Amsterdam (The Netherlands) to give a presentation of his work.
CONTACT:
Joe Conzo Jr., photographer
jconzo@aol.com
www.joeconzo.com
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